I get emails from authors every week asking if they are “too late” to write a book when the world is so crowded with books and more being published every day. 

But it really is the best time ever to be a creator and I am grateful every day to be born at a time in history when the internet enables us to write, publish and connect with readers across the world through free or cheap tools.

When you get bogged down by negative news or get sucked into the drama of whatever authors are worried about next, look at the bigger creative picture and be happy! I'm thrilled that today's article by Sara Crawford explains more. 

I’m surrounded by creative people in all aspects of my life: authors, musicians, actors, filmmakers, playwrights, slam poets, painters, etc. With the sheer number of books, movies, plays, photography, music, art, and entertainment available to all of us, it can get overwhelming. Sometimes as creatives, we can feel like when we are creating, we are shouting into the void. I am guilty of this, myself.

It’s hard not to look at the number of books available on Amazon or Barnes and Noble and become worried about your book getting lost. The truth, however, is that this is the absolute best time in history to be a creative person of any type.

Here’s why:

1. There have never been as many ways to share your work

If you are a writer, there are countless websites and groups on social media where you can find critique partners and beta readers. You can chat with other writers on YouTube or Twitter. You can get feedback about your work on Wattpad. You can publish your books on Amazon, Barnes and Noble, iBooks, and Kobo, among others.

If you are a filmmaker, you can make movies and share them on YouTube. If you are a musician, you can share your music on Bandcamp, YouTube, or Spotify. If you are a playwright, you can create an old-school radio play podcast. If you are a photographer or a visual artist, there’s Instagram and DeviantArt.

Before the internet, it was much more difficult to share your art—even if you were just trying to get feedback. You would have to go through the long process of traditional publishing if you were a writer.

If you were a filmmaker or actor, you basically had to live in a city like Los Angeles, New York, or London. If you were a painter, you had to submit your work to art galleries. If you were a musician, you had to rely on record labels to share your music.

The internet has opened up the world for us creatives, and we should be grateful for that every single day.

2. There has never been such an abundance of art and entertainment, and there have never been as many people with access to it

With subscription services like Kindle Unlimited and Netflix, there is literally an unlimited number of books, movies, and TV shows we can have access to for a minimal monthly fee. There is an unlimited number of free songs, books, videos, photographs, and podcasts we all have access to.

There are so many free books on Amazon at any given time, there's even a Top 100 free books listed for each genre. It’s been estimated that over three billion people in the world have internet access.

That’s three billion people who can listen to your music, see your photographs, or read your books.

[Note from Joanna: By 2025, there are expected to be 8 billion people online – woohoo! From Singularity Hub]

3. There have never been as many opportunities to support other artists

With the rise of crowdsourcing sites like Kickstarter and Indiegogo, it’s never been easier to support your fellow creatives. With sites like Patreon, you can even support them for a few dollars a month, and if you are a creative, you can receive reliable monthly income.

[Note from Joanna: I have a Patreon page for my podcast, The Creative Penn – thanks to all who support the show there!]

When e-books are $0.99 and $2.99, countless bands offer their music for whatever you can afford to pay, and most artists have websites with donation buttons, it’s never been more affordable to support your favorite creatives.

4. There have never been as many opportunities for adaptation and inspiration

With Netflix, Hulu, Amazon Prime, YouTube, and nearly two thousand channels on Roku (just to name a few), there have never been as many opportunities to see your work adapted into a different form. There are countless television shows and movies that are based on books from independent authors. Netflix movies are being adapted from Wattpad books.

It’s even going the other way around. Authors are selling books based on Hallmark movies, and Amazon has an entire section where both the author and the original creator can profit from fanfiction.

With all the access to art, there has never been such an abundance of music inspired by photographs, films inspired by music, paintings inspired by books, and every other combination you can think of.

5. There has never been technology as amazing as the technology is today

Writers have programs like Scrivener and Write or Die to help us write more efficiently. Musicians have the ability to record and mix entire albums on their laptops. Entire movies are being shot on phones.

Drones can help filmmakers get shots that once were nearly impossible or incredibly expensive. Everyone is carrying around the technology they need in their pockets to create and share art at any time. There are even stories being written by artificial intelligence.

So the next time you start to feel overwhelmed by the vast amount of art out there, keep in mind that it’s also a blessing. If you are a creative person, there has never been a better time to create art and share it with the world. And that’s really something to be grateful for.

Are you excited by all the opportunities available to share your art with the world? Please leave your thoughts below and join the conversation.

Sara Crawford is a playwright, author, and musician from Kennesaw, Georgia. She is the author of the young adult urban fantasy series, The Muse Chronicles.

She also runs a blog for creatives called Unleash Your Creativity featuring weekly interviews with artists of all types and a creativity tip mailing list.

[Coloured pencils image courtesy Jess Watters and Unsplash. Flowers photo courtesy Chungkuk Bae and Unsplash. Two women with phones courtesy Rawpixel and Unsplash. Netflix screen photo courtesy Charles Deluvio and Unsplash.]

Authors are used to creating alone, but most creative industries work in teams and this is spreading into the writing industry in the growth of co-writing. 

I've talked before about Jim Henson and his workshop of puppet storytellers, and artist Damien Hirst and his team of artisans. In today's article, Jim Denney talks about how the creativity of Walt Disney inspired an industry.  

Most people think of Walt Disney as a businessman who founded a company and hired other people to do all the creative work. Not true.

I have written two books on Walt Disney — How to Be like Walt (co-written with Orlando Magic exec Pat Williams) and Walt’s Disneyland. While researching these books, I discovered that the most creative person in the Disney organization was Walt himself. He was a fountain of ideas and imagination — yet he rarely gets credit for his creativity.

The reason Walt is thought of as a businessman rather than a creative genius is that he expressed his creativity through the medium of people — writers, artists, songwriters, directors, and Imagineers.

People mistakenly assume that Walt didn’t create anything himself. The truth is that most of the cartoons and feature films produced by the Disney studio began in the mind and soul of Walt himself.

He communicated his vision to his artists, and they carried it out.

The same is true of Disneyland. All the original attractions, as well as the hub-and-spoke layout of Disneyland, were fully formed in Walt’s imagination long before he told anyone about his dream.

During the weekend of September 26 and 27, 1953, Walt huddled with artist Herb Ryman at the Burbank studio. The two men worked for forty-eight hours without sleep.

Walt described his vision of Disneyland, and Ryman translated Walt’s words into a map, three feet tall and five feet wide, that the Disney Company used to pitch the Disneyland TV show to the networks.

The map Herb Ryman drew under Walt’s direction was amazingly close to the actual design of Disneyland when it opened on July 17, 1955. The only major difference was that the map showed Adventureland to the west of Main Street instead of the east. Disneyland was a fully-formed kingdom in Walt’s imagination long before Herb Ryman inked a single line.

The most popular attractions in the Park were all conceived by Walt —the Disneyland Railroad, the Mark Twain riverboat, the Jungle Cruise, the Castle, all of Fantasyland, the Monorail, the Matterhorn Bobsleds, Pirates of the Caribbean, and so much more.

Walt was a creative genius, and while studying his creative process, I uncovered insights that have made me a better writer.

I think they’ll change the way you write as well:

Insight No. 1: Mine Your Life Experiences

Walt owed much of his creativity to his warm childhood memories. Walt had two very different childhoods, one idyllic and happy, the other painful and harsh. He spent his first childhood — his happy childhood — on a farm outside of Marceline, Missouri, from ages four through nine.

He once told The Marceline News, “More things of importance happened to me in Marceline than have happened since — or are likely to in the future. Things, I mean, like seeing my first circus parade, attending my first school, seeing my first motion picture.”

As a filmmaker and theme park creator, Walt drew upon his Marceline years for inspiration. His early cartoons, his movies, and Disneyland itself are rich in idealized images of life in rural and small town America. Many scenes from Walt’s early life appear in his films.

For example, the enraged bull that chases Bobby Driscoll in Song of the South reenacts the time young Walt was chased across a field by a bull.

Walt’s happy childhood ended when his father, Elias Disney, became ill and was forced to sell the Marceline farm. Walt thought of the farm animals as his friends, and he wept as they were auctioned off. That’s when his unhappy childhood began.

The Disneys moved to Kansas City, where Elias bought a newspaper distributorship. He put Walt and his brother Roy to work delivering papers without pay.

Walt and Roy arose at 3:30 in the morning, and sometimes waded through waist-high snowdrifts to make their deliveries. Walt arrived at school completely exhausted, and often slept in class. After school, he worked at a candy store.

You won’t find references in Walt’s movies to his unhappy Kansas City boyhood — yet Disneyland represents one of the few bright spots in Walt’s Kansas City years. He grew up fifteen minutes away (by streetcar) from Electric Park, a huge amusement park that featured band concerts, a carousel, boat rides on a lagoon, a wooden roller coaster and other thrill rides. A steam train ran around the park, and a fireworks show lit up the nights.

If that sounds a lot like Disneyland, there’s good reason for that. Walt later said that Disneyland “has that thing — the imagination and the feeling of happy excitement — I knew when I was a kid.”

Disneyland not only re-creates the world of Walt’s nostalgic memories. It captures Walt’s boyhood obsessions. Fantasyland transforms the fairytales of Walt’s childhood into a fully immersive fantasy experience. Tom Sawyer Island and the riverboat bring to life the fondly-remembered Mark Twain tales he loved. Tomorrowland is the realization of Walt’s boyhood fascination with the futuristic novels of Jules Verne and H.G. Wells.

Walt teaches us that our lives are a gold mine to be dredged for memories, emotions, and ideas.

The lesson of his life is that we, as writers, should regularly ask ourselves:

• What were the turning points in my life?

• What were the most important lessons life has taught me?

• What am I nostalgic about? What are the experiences that hurt me? Frightened me? Thrilled me? Comforted me?

• What were my childhood fascinations? What were the stories, ideas, and places that captured my young imagination?

These are the things we must write about.

These experiences make us unique and creative: joys and sorrows, fears and fascinations, hard realities and flights of imagination. Walt didn’t merely tap into his memories and experiences. He plunged into his youthful obsessions: the Peter Pan stage show he saw as a boy, and the books he loved, from Alice in Wonderland and The Wind in the Willows to The Adventures of Tom Sawyer and Treasure Island.

So peer deeply into the gold mine of your life. Pick up and examine every shiny nugget of your past. Remember all the stories you read and objects you collected and places you explored in childhood. Seize the inspiration that’s there for the taking — then start building your own Disneyland out of words and memories.

Insight No. 2: Become an Actor

Walt Disney had the soul of an actor.

As a boy, he amused his classmates with impressions of Charlie Chaplin. He once came to school in a shawl, stovepipe hat, and fake beard, and delivered the Gettysburg Address as President Lincoln. He also donned his mother’s dress, hat, and wig, then rang the doorbell and carried on a conversation with his mother, pretending to be a neighbor lady. They talked for several minutes before his mother recognized him.

Walt loved to perform. One night in early 1934, Walt assembled his artists in a darkened soundstage at the Burbank studio. He stepped into the spotlight and told them they were going to make a fully animated feature-length film, Snow White and the Seven Dwarfs.

Then he proceeded to act out the entire film. He performed each character, from Snow White to the evil Queen to each of the seven dwarfs. He became the characters, speaking in their voices, gesturing with their mannerisms. It was a three-hour bravura performance.

As Walt finished, his animators broke out in applause. Years later, one of the animators who was there that night told interviewer Robert De Roos, “That one performance lasted us three years. Whenever we’d get stuck, we’d remember how Walt did it on that night.”

To be creative like Walt, become an actor. When you write, act out your character’s voice and gestures. This works best, of course, when you write using voice dictation instead of a keyboard. But if you write by typing, then simply act out your scene before you type.

Get out of your chair, walk around the room, and become your characters. Act out the scene and experience the emotions of your characters. Then sit down and immediately write the scene you acted out.

Write your story the Walt Disney way. Act it out. You’ll find added power and energy in your writing, and it will transform your creative process.

Insight No. 3: Write Your Obsessions

When Pat Williams and I were writing How to Be like Walt, director Ken Annakin told us that the key to Walt’s creativity was his obsession with his dreams. He said, “I doubt whether one person in fifty million is capable of the obsessive focus with which Walt lived each day of his life. His grand obsession was simply to bring happiness to others. It made him who he was.”

And media critic Neal Gabler told us, “Walt Disney was an obsessive man. That obsessive quality made him passionate and kept him focused on his dreams. Of all the successful people I have ever studied, Walt was the most intensely focused on his goals. His ideas possessed him.”

One of Walt’s obsessions was a magically eccentric governess named Mary Poppins. But Walt had a problem: The creator of the Mary Poppins, P. L. Travers, refused to sell him the movie rights.

In fact, Walt spent more than two decades, from 1938 to 1961, trying to convince her to part with the rights. He made overtures, sent her gifts, and engaged in on-again-off-again negotiations —but she was convinced that no film studio could do justice to Mary Poppins.

Finally, persistence paid off and Walt persuaded Ms. Travers to grant him the rights. But once the film went into production, she battled Walt over every detail. She fought him over the script, the music, the dialogue, the casting, the animation, and on and on. She was tough — but Walt was determined. Ultimately, he got the film made his way.

Walt once explained the importance of maintaining an obsessive focus on your goals in order to achieve success: “A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive.”

Writing is challenging work. It takes time and focus — and you’ll face opposition and even ridicule from the people who ought to be in your corner. Learn from Walt. Never give up. Write your obsessions, and be obsessed with your dreams — and one day, your books and stories will bring happiness to the world.

Insight No. 4: Synergize

I sometimes think Walt Disney must have invented synergy. He assembled teams of talented people to turn his dreams into reality, and the result was always greater than the sum of the parts. Walt carefully selected the best people for every project. He’d mix skills, talents, and personalities like paints on an artist’s palette.

When I co-wrote How to Be like Walt with Pat Williams, Imagineer X Atencio told us, “Walt had an uncanny knack for discovering talent. He’d see talent in people that they didn’t even see in themselves. I had been an animator all those years. One day Walt said, ‘I want you to write the script for Pirates of the Caribbean. There’ll be scenes with pirates and townspeople and so forth, and I want you to write all the dialogue.’”

Walt even assigned X to write the Pirates theme song — and the result was the unforgettable tune, “Yo Ho, Yo Ho, A Pirate’s Life for Me.” It’s hard to believe X had never written a song before.

The essence of synergy is valuing the differences of other people. You and I don’t think alike, and we don’t have the same interests, talents, or experiences. This means you can supply what I lack, and I can supply what you lack, and together we can be far more creative than we could ever be alone.

Valuing the differences of other people means setting aside our own egos. It means opening ourselves to new ideas and perspectives. It means accepting criticism and advice from editors and fellow writers.

A friend of mine is part of a group of professional novelists who regularly gather for a weekend of mutual encouragement and inspiration. They write in different genres — romance, thriller, mystery, fantasy — yet they always find that their differences turn out to be strengths. They critique each other’s work, they provide solutions for each other’s writing problems, and they motivate each other to keep reaching for their goals.

How do you find a writers group? Here are some suggestions:

• Google your city and the search term “writers group” (in quotes) and some groups or meetings in your area should pop up.

• Attend a regional writers conference and talk to the people you meet (for a list of writers conferences, consult the Guide to Writers Conferences & Writing Workshops at http://writing.shawguides.com).

• Professional writers’ associations often have local chapters where you can meet fellow writers: Society of Children’s Book Writers and Illustrators, Horror Writers Association, Sisters in Crime, Mystery Writers of America, Romance Writers of America, and so forth. Some of these associations have member directories so that you can find fellow writers in your area.

• National Novel Writing Month also supports local and online writers groups.

• Meetup.com is a website that connects people with common interests; the Meetup page for writers is at https://www.meetup.com/topics/writing/.

• You can also find local and online writers groups via Twitter, Goodreads, Facebook, and LinkedIn.

So follow Walt’s example. Mine your life. Act out your creations. Pursue your obsessions. Value the synergistic differences of other writers.

Then go build your castles and make some magic.

Are you inspired by Walt Disney's creative example? Do you have another favorite creative who inspires you? Please leave your thoughts below and join the conversation.

Jim Denney is a writer with more than 120 books to his credit, including the Timebenders science-fantasy series for young readers and a 2004 Disney biography, How to Be Like Walt, co-written with Orlando Magic founder Pat Williams. Jim has also written books with supermodel Kim Alexis, Star Trek actress Grace Lee Whitney, and Super Bowl legends Bob Griese and Reggie White. He’s a member of Science Fiction and Fantasy Writers of America (SFWA). Jim lives in California and blogs at WritingInOverdrive.com and at WaltsDisneyland.wordpress.com. His latest book, Walt’s Disneyland, is available from Amazon.com.