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Genre is a difficult word as many authors resist being ‘put in a box.' But the reality is that, when you self-publish, you have to choose three categories for your book. And if you want a traditional publisher, they will have to put you somewhere too.
As J.F.Penn, I write across the boundaries of supernatural thriller, action adventure, dark fantasy, and crime with an edge of horror. When I first started out writing fiction in Australia, I met Alan Baxter, because he writes books that I enjoy with similar cross-genre themes. In today's article, Alan explains how we can make the most of writing genre-mashing.
I am unashamedly a genre writer. But I find it hard to answer when people ask what genre.
Generally, I tend to write speculative fiction, which is the umbrella term for science fiction, fantasy and horror. Most of my stuff is dark urban fantasy and horror. But it’s rarely only those things. I include a lot more than just SFF tropes in my stories. I’m a huge fan of crime, noir, mystery, thrillers – in all honesty, I’ve never met a genre I didn’t like.
I’ve written a weird western ghost story, a novella that turns sweltering Sydney into a noir landscape where supernatural beings are dealing with mental illness, a historical pirate yarn with a cosmic horror threat looming over the world. My novels are paced like thrillers, dive through realms of crime and mystery, but are thick with magic and monsters and mayhem. And often a lot of martial arts, as I’m a martial arts instructor too and that’s the only other thing I’ve been doing as long as I’ve been a writer.
So how do we genre-mash without our stories becoming a mess? Here are 5 tips that I like to keep in mind:
(1) Write the stories you want to read
The reason I like to mash genres together is because they’re the kind of stories I like to read. And you should always write, first and foremost, what you want to read. That’s where your particular passion lies.
(2) Don't mash for the sake of it
Any time we do something for the sake of doing it – in this case, cramming in tropes because we want to genre mash – it comes off hackneyed and try hard. That’s a terrible way to tell a story. But if you start by deciding what kind of story you want tell and then make sure you’re not averse to any strange occurrence coming along, you open yourself to all kinds of possibilities.
So take a step back and look at what you’re really doing. If you want a story about a magic-wielding urban mage, but you need him to go on a quest, find yourself a catalyst. Entanglement with an organised crime boss, maybe. Or on the run from the law. Or a vengeful ex-lover. Take those other tropes and slap them onto your urban fantasy and see where it takes you.
(3) Never only tell one story at a time
Some of the best writing advice I ever got was, “The best stories are the ones where something else is happening.” Unpack that advice and it means don’t only focus on your protagonist and their current predicament.
Look at what else is happening. Maybe they’re going through a divorce at the time. Maybe they’re fighting a law suit. Perhaps they’re trying to be there for a terminally ill friend while not telling that friend about battling demons from the Ninth Plane of Hades. Layers happen when you tell more than just the one central story, and sometimes you have to cross genres to do that.
This is another piece of invaluable writing advice and it’s particularly important for antagonists and villains. Don’t make them cardboard cut-out evil-doers. They have a history, they have personal motivations, they have things happening in their lives that are real and important to them.
So follow those up, think about what part of their story you want to tell and then have a think about what genres that might open. Horror? Mystery? Romance? It’s all there for the taking.
(5) Don't write for an audience
This is a bit of a return to the first rule, but there’s more to it than that. While you should always tell the kind of stories you want to read, you should also avoid being swayed by what’s currently hot. Especially so if you’re in traditional publishing, as that can move so slowly that by the time your book is written and in front of editors, the current hot trend is over. Even for indies who can move fast, you might miss the peak of the trend.
But more importantly, if you’re writing for a genre trend, you’re not writing your passion.
Don’t blinker yourself. Just because there’s not currently a trend for a hard-boiled detective investigating crimes that can only have been committed by a shapechanging alien, that doesn’t your book won’t find readers. And maybe your crazy, exciting, interesting genre-mash might just be the start of a new trend in publishing.
There are no boundaries except those you impose on yourself. Be free and create!
Do you have any genre-mashing tips or questions? Please do join the conversation and leave a comment below.
Read extracts from his novels, a novella and short stories at his website – www.warriorscribe.com – or find him on Twitter @AlanBaxter and Facebook, and feel free to tell him what you think. About anything.
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1 2 Next »My latest reflection on this issue: My books are cross genre and I get loads of comments about that as a problem from people who review. Also, it causes problems in selecting categories and keywords. Any reaction?
You'll always face those troubles, but try to focus on the most relevant keywords. I usually call my novels dark fantasy thrillers, for example. Bookstores hate trying to shelve them though!
Writing cross-genre isn't so much a writing problem as it is a marketing problem. I'd love to read articles about how, specifically, with step-by-steps, that someone has successfully marketed cross-genre books.
It's the same as any other book. Create things that you like, share things you like and you will attract the audience who likes those things too. I write cross genre - and one example would be sharing pictures on Pinterest of the aspects of my books which are not genre specific.
Agreed! And direct your marketing - sell the horror aspects to horror fans, the thriller aspect to thriller fans, etc.
My story has a man finding a time machine to enable him to travel backwards 1,000 years to find his ancestors, A lot of it in the 1800s where he decides to live for a while to learn about the era. He brings back a woman from 1841 to 21st century who, through what he learns on other trips to the past turns out to be is six-time great-aunt. A villain from the 25th century tries to steal the time machine for his own use. Another antagonist stabs his wife and is saved by transporting her to the 25th century by "Traveller's" who have been observing them trying to apprehend the 25th century villain. There's also a lot of underlying romance.
So Science Fiction/Time Travel, Romance, Historical drama, Crime.
How should I categorize it?
If it has a time machine, I'd say it's Sci-Fi :)
I'd sell that as science fiction/crime to genre fans and as SF/romance to romance fans.
I've done weird Westerns and my other series of books is a weird mash up of horror (classic monsters like mummies) and fantasy (people can use magic) but it's set in a weird Gaiman-esque landscape that's part Victorian London-part Venice! It's often precisely the things that make stories difficult to categorise that makes them most popular with readers - most of my reviews reference the world-building in some way! I do think categories are more for marketing than they are for readers, and luckily indie publishing makes it easier to reach more readers by not being so strict :)
Categories, really, are mostly for bookshops!
Excellent advice. I've always had a problem with genre-naming. Why can't it just be fiction or non-fiction? If I have some romance in my book, I still don't want to call it romance. If I have suspense, I know it's more than just suspense. Then I'm told to use the term romantic suspense, but that turns off the readers who don't like romance, or who don't like suspense. And I HATE the term 'women's fiction,' as if only women will enjoy stories about relationships/family/'life.' Sigh. I've had agents tell me I need to write 'more romance' in there so they can sell it as romance, or 'more mystery in there' so they can sell the book as mystery. No, I write the book I want to read and that speaks to me. I just read a 'fantasy' book that I never would have read because it was billed as part of the fantasy genre. I read it to support another blogger and LOVED it. Never would have if I just paid attention to how it was defined.
Thank you for this timely post. I have a hard time coloring between the genre lines, and I've always been a bit defensive about it, but I write stories I like to read, and I guess that means that mystery, suspense, urban fantasy, supernatural horror, romance, and a touch of wry humor will always be part of my books.
I just rebranded my first series with urban fantasy covers, but based on the rankings, it's selling best in the paranormal romance category. The reviews are gratifying , but nearly every reviewer comments about how surprised they were by the books and how different it was from their expectations--and most importantly (and gratifying to me), how much they enjoyed them.
I'm down with genre-mashing. But I still haven't figured out the trick to brand it, except by trial and error (and universally fabulous covers). Not sure if that's a problem or one of the privileges of being an indie author. At this point, the paranormal romance mystery series with the urban fantasy series covers is doing pretty well.
I've written my first cross genre novel, science fiction with a political power play that explains how we got to this. I describe it to puzzled friends as `Tom Clancy meets Michael Crichton' and the light goes on, but it is a bit reductionist. How do you get over the problem of describing a cross genre novel?
I particularly like the tip that the antagonist is the hero of his/her own story. Once I realised that it helped me a lot with adding another layer to my current work in progress.
Thanks for the encouragement! I'm three novels into a cross genre series. I'm of the opinion I should have three to four in the pipeline before launch, so I am close. I was motivated in a similar fashion. I couldn't find very much of what I wanted to read, so I am writing it now. I hope there is an audience for it. I was a James Bond junkie as a kid, and graduated from the films to Fleming's novels. But I always wanted Bond to encounter the supernatural. So now I have a counter-intelligence operative confronting terrorists who are vampires with geopolitical ambitions. I call it Vince Flynn meets Anne Rice. Surely there's an audience for that.
Joanna and Alan,
I saw a summary of this on Goodreads, so I'm taking the opportunity to comment here.
I've written blog articles for some time mentioning genres directly or indirectly. Here's a summary of points I think are important: (1) I've always considered them artificial constraints and only conveniences for book retailers--they really have nothing to do with storytelling per se. (2) I write mysteries, thrillers, and sci-fi according to most pundits, but I'm really just a storyteller. One YA title could be considered a sci-fi mystery, and I have several books that could be called sci-fi thrillers. My latest novel could be classified a mystery/thriller--it begins like a Christie-style mystery and ends a thriller as events almost overtake the sleuths, if you will, but it's all one story. (3) Genres are dangerous. My new book was found in the Art section at a bookstore: the title is Rembrandt's Angel, the person doing the shelving just focused on the title, and s/he didn't even bother to read the blurb on the back.
Good discussion. (And I apologize for using my own books as examples. I know them better than other books, of course.)
r/Steve