X

Lessons Learnt From Dan Brown: The Lost Symbol

    Categories: Writing

OLD POST ALERT! This is an older post and although you might find some useful tips, any technical or publishing information is likely to be out of date. Please click on Start Here on the menu bar above to find links to my most useful articles, videos and podcast. Thanks and happy writing! – Joanna Penn

WARNING: May contain spoilers!

It has been the biggest publishing sensation of 2009 – the long awaited novel from Dan Brown, ‘The Lost Symbol'.

Whatever you think about Dan or his books from a literary perspective, he can sure bring in the money for the publishing industry and for himself. ‘The Da Vinci Code' sold 80 million books. This book may overtake that plus sell more of the backlist. That's not even mentioning the movie deal!

I have written some lessons learnt from Dan before, so what else can we learn from the launch of ‘The Lost Symbol'?

  • Secrecy prior to the release with a teaser campaign. The Lost Symbol website was pretty good with its codes and teasing headlines. They managed to keep it mostly under wraps until launch day. Creating interest without getting the plot discovered in total for such a big release was impressive. It certainly made you want to be one of the first to read it! Could you use a teaser campaign to promote your book?
  • Promote the backlist on launch of new book. Once you start writing books, you realise that one is not enough, unless you're Harper Lee of course.  Promoting the new book is a great time to re-launch the backlist, especially if you weren't so well known then. Dan Brown's “Digital Fortress” is a terrible book with a boring plot, but I bought it after “The Da Vinci Code”, along with the rest of the backlist, and I bet a lot of others did too. It is also a truth that the more you write and publish and sell, the more money you make (duh!). So write more books, and promote your backlist like crazy on launch.
  • Write with visual appeal for movie tie-in. In choosing such gorgeous locations architecturally, Dan Brown almost guarantees a movie hit, purely from visuals alone. He also writes descriptions of the locations well, which help the director to keep the movie true to the book. If you want to write a book that will make it into the movies, consider your locations carefully.
  • If it works, don't change the formula. The ‘brainy thriller' is not Dan Brown's invention but it seems to work very well for his novels. I certainly enjoyed the various descriptive passages on Noetics, Washington art and architecture. It also has a central conspiracy, symbols and codes to crack as well as Robert Langdon and the usual intelligent female sidekick. This formula is earning multi-millions, so why change it? I do wonder if he will get bored with writing these novels though. Time to kill off Robert Langdon?
  • Using Twitter. Twitter is mentioned in the book, therefore it is officially mainstream. They also had a teaser Twitter account @lostsymbolbook , and if a book launch that big is using Twitter, then the rest of us seriously ought to consider it! They also have a Facebook account.

If your book launch was not as successful as Dan Brown's, then don't worry! His big break came with ‘The Da Vinci Code', his 4th book, written in his mid/late 30s. Getting your book out there is a great start!

That's all my lessons learned, but here's what I thought about the book itself. Don't read if you want to make your own uncluttered decision!

First up, my ultimate goal is to write thriller/action/adventure mainstream novels, so Dan Brown is up there with authors I need to emulate (in some ways!). I also have degrees in Theology and Psychology and LOVE all the spiritual stuff, so I am a perfect audience for this novel. Here's some of my thoughts.

The bad guy, Mal'akh, had potential at the beginning. But he was not ultimate evil, and what he wanted to do was not evil enough in my opinion. The ending was a let-down, after a stronger first half of the book. It certainly didn't have the global terror plot aspects that I was expecting. I don't want to give too much away, but if the plot succeeded it would not have destroyed the world/a global faith/caused the death of millions. Let's face it, a thriller usually has those type of potential disasters to stop!

There were a lot of Masonic ‘secrets' discussed, but Dan Brown seemed incredibly careful to sound sympathetic and almost apologist on their behalf. It made them sound almost cuddly. Perhaps he is a Mason? At least in ‘The Da Vinci Code' he annoyed the church so much they banned the movie from filming in churches. It was definitely controversial. This book is not controversial and as such, is boring.

I was annoyed by the way the author kept appearing in the book and equating his life to Robert Langdon's. I know other people do this. Clive Cussler appears in Dirk Pitt books but in a cool way and not as the central character. Robert is years late in delivering a manuscript and people comment on his appearance. That was annoying.

I do look forward to the movie though. The locations described are amazing, and the visual descriptions were great (I don't know how true though!). It will be interesting to see who gets the part of Mal'akh, the 6'3″ uber-god with perfect physique and full body tattoos. Perhaps they will also change the ending, because it is seriously cheesy!

Probably a 5/10 for the genre. James Rollins wins hands down!

Image: Dollar Flickr Creative Commons Grebo Guru

Joanna Penn:

View Comments (3)

  • The little I read about Dan Brown, the Masons and the book - I believe at BBCNews.com - would rather confirm your suspicion that Dan might be a (future) Mason. Masons are sworn to secrecy. You're not allowed to write a book about the Masons if your are one, and predating Catch-22 by a few thousand years, you cannot write a book about the Masons if you're not one. I believe the way Dan Brown worded it at the end of the interview, he's received assurance from the Masons that "the door (to join the Masons) is always open." PS. The Masons love the book. They see it as a means to re-ignite interest and revert dwindling membership numbers.

  • That's so interesting! I also found it funny that he makes sure that we know there is a branch for women so it is not seen as sexist (yeah, right!). It just wasn't polemic enough for me, but I guess it doesn't matter - it will sell truckloads.

  • Hi Joanna -
    I enjoyed reading your comments about The Lost Symbol. Not sure I agree that the book is not controversial. Granted it doesn't generate the explosive kind of controversy that The DaVinci Code did. But I think a lot of readers may, indeed, find some of the information to be of a controversial nature. Just a little difference of opinion there. But we do agree on the ending. It was okay. I didn't hate it. But somehow I felt a little disappointed. All in all, however, I have to say I really enjoyed the ride. Then again, I'm more than a little prejudiced when it comes to the kind of subject matter contained in the story. :-)

    Regarding what you wrote: "Could you use a teaser campaign to promote your book?" I think this is a terrific idea and I'm using this technique right now. A friend of mine (a well-known and rather controversial figure in what most people consider a "fringe" area of research) is planning to launch a book next year that will be tied in with an "event" of a most unusual and dramatic nature. I'm using Twitter for the pre-publication/pre-event "buzz". Here are a few of the buzz teasers:

    There is a virus in the program. Help is on the way. 111121122012

    A real life "Leap of Faith" will propel a man into a portal and take him to the "Source". Who is the man? What is the "Source"? 111121122012

    The CCP is infected. A contingency plan has been set in motion. 111121122012

    "A Leap of Faith" from the top of a "bell" will "rock" the world. 111121122012

    The teasers are intentionally cryptic but they do have meaning. The question we hope people will be asking, of course, is what the heck do they mean? Time will tell how effective this will be.

Related Post